The piece you keep returning to is the one.
Oil paint articulates rocky formations through tonal shifts—ochre, umber, charcoal—the cliffside modeled volumetrically. Smith’s brushwork moves vertically, echoing the landscape’s thrust upward; light skims rather than floods.
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Oil on canvas — the Pacific Northwest landscape in its seasonal transitions, from the green abundance of summer to the stripped-back honesty of winter.
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