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Eternity #102 — Siddharth Parasnis. Oil on panel.
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Siddharth Parasnis

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Siddharth Parasnis

Siddharth Parasnis was born in India in 1977 and He calls his paintings architectural abstractions — a term that describes both the subject and the method. He photographs and sketches buildings on his travels — in India, Guatemala, Costa Rica, Honduras, California — not to document them but to extract the color relationships and spatial pressures encoded in their surfaces.

Back in the studio, he translates these photographs onto panel in glazed oil, abstracting until shape and color take over from recognition. In Eternity, parasnis layers chartreuse, cadmium yellow, deep teal, and rust-red across a fragmented architectural form, with each color occupying distinct planar zones that refuse to cohere into unified space. The paint sits flatly on the surface, applied in hard-edged sections and linear striations that emphasize the canvas as object rather than window, while angular cantilevers and receding planes stack upward in a compressed, claustrophobic composition.

The work's ambition to contain infinity through geometric structure ultimately produces visual cacophony—a contradiction between the title's promise of transcendence and the painting's stubborn material insistence on rupture and discontinuity. His process is built around the concept of the single session — He builds surfaces in vibrant glazes, playing gloss and matte finishes against each other to push certain elements forward and pull others back, the whole composition held in balance between likeness and abstraction.

His influences span three centuries: Hopper’s architectural specificity, de Kooning’s gestural freedom, Diebenkorn’s color logic, Oliveira’s surface weight, and the pre-modern Indian miniature tradition in which depth is conveyed through stacked imagery rather than perspectival recession. As curator Dieter Tremp has written, his paintings are “full of independent life, in a balance of sensuality and structure unlike anything else we’ve seen so far.” He was awarded the Pollock-Krasner Foundation Grant for 2012–13. He was selected for the De Young Open in 2020 and again in 2023.

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Siddharth's work is shown across both Bainbridge and Park City. Browse the full collection — medium, dimensions, and price visible on every piece.

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